While the music industry undoubtedly faces many challenges, we also live in exciting times: live music has never been as popular, and thanks to the Internet it has never been easier to discover new music.

The Great Escape 2012 kicked off in Brighton this morning with a PRS for Music hosted discussion

MCPS membership agreement update: AI and false registrations annex

Ahead of World Intellectual Property Day, Tom Kiehl, acting chief executive officer, UK Music, has written an open letter discussing the vital link between intellectual property and music.

‘The time has long gone where people could stand up and say, “The internet is different; it should be a free for all,”’ says Richard Mollet, chairman of the Alliance for Intellectual Property (IP).

International royalty collections for music-makers and rightsholders hit €9.2bn in 2016, according to new figures.

The Culture, Media and Sport Committee (CMS), which monitors the government’s Department for Culture, Media and Sport policy, has openly condemned Google’s failure to tackle online piracy in a report made public yesterday.

The European Court of Justice has ruled that technology companies which create devices for copying music don’t need to pay compensation to rightsholders if the economic damage is deemed ‘minimal’.

The Nigerian producer on his songwriting process, how he helped craft the first Afrobeats track to hit a billion streams and why PRS has ‘changed my life’.

We were at The Great Escape to find out more about how Brexit could impact the music industry - dig into what we discovered…

‘We could be in for an era of cultural barbarism’ if the European parliament doesn’t step in to halt the transfer of value from music creators to content aggregators, warns UK Music chairman Andy Heath.

The High Court in London has issued orders requiring five internet service providers to block their customers from accessing the controversial file sharing search service The Pirate Bay.

How we work with our PRS-managed territories in the Bahamas.