Are you an aspiring music creator? Industry experts head to Yorkshire to offer free advice on breaking into the music business

Political figures and leading business professionals discuss potential affects artificial intelligence could have on music industry

PRS and The MU provide free advice to Hertfordshire music creators

As the songwriting community gears up for The Ivors 2020, PRS for Music is celebrating the power of songwriting to get through difficult times with a new competition.

Andy Heath is to step down in 2020 after 11 years at the helm of the UK’s leading trade body for the music industry.

How to Release your Music and Get Paid

Leading music business professionals and senior digital entrepreneurs discuss potential of immersive technology on industry

Check out our Code of Conduct which outlines how we treat our members and licensees.

Music licences for manufacture or distribution of audio-only retail products, known as AP1 and AP2 licences.

PRS for Music CEO: A more commercially minded culture which embraces innovation has accelerated record growth

We’ve scoured the web to find the best free online music resources out there for artists, songwriters and composers...

Hear from the experts on how best to approach the recording of your music and produce a physical classical release from scratch...

It's not the first time Sentric's Simon Pursehouse has run though this pitch - but he's bringing fresh intel for 2017 to help you bag that lucrative sync...

A study carried out by PRS for Music has found that overall usage of stream-ripping services dramatically increased between 2016 and 2019, overshadowing all other illegal online music activity in the UK. Research also shows stream-ripping sites now account for 80.2% of the 50 most popular music-only infringing piracy sites.

6.6 trillion performances of music reported to PRS from across the globe

Soundmouse is a company that provides music reporting services to the broadcasting industry.

To mark the centenary of <i>PRS for Music</i>, we’ve scoured the society’s records to uncover British music’s most performed works over the last 100 years. In part two we cover the 1950s to the 2010s.

Big Sync's Phil Lawlor shares his views on the current sync marketplace and its challenges, and lets us in on the new opportunities opening up for emerging artists…

Are you an artist who’s recorded a live BBC TV or radio session? Ever wondered how to get hold of it? BBC Worldwide's Simon Gurney explains how...