‘This is what an internal feeling might sound like – to me anyway’: Get to know the idiosyncratic sound of MF Tomlinson.
‘Be practical; don’t be snobbish about media music, and don’t delay that symphony until you’re too old and frail to have the energy to actually do it!’: Christopher Gunning doles out some sage advice to emerging composers.
As the Independent Label Market readies to return for its annual Christmas event, we hand over playlist duties to one of the market’s featured labels, Batov Records.
‘It comes with a lot of responsibility. What I want to do is spend that money wisely and put it back into the music community’: Auntie Flo, aka Brian D’Souza, reflects on his SAY Award win.
‘It’s like watching a young Jamie Oliver during the Naked Chef era, making a lamb curry out of nothing but a cardboard box and a bank holiday’: introducing Lazarus Kane...
‘Someone from a minority, if you’re putting out music, you’re already making a statement whether you like it or not’: Sarathy Korwar talks his latest album and finding his voice...
Ahead of their gig as part of The Great Escape's FIRST FIFTY shows this week, we caught up with indie four-piece Weird Milk.
‘I wanted to raise questions around the art of listening’: sound artist Junkerry breaks new ground with her latest project.
‘There is a lot going on at the edges of the classical world, but a lot of the mainstream still feels quite backward looking’: Composer Matthew Whiteside discusses his latest album and more.
Switching your account...
