Music creators and leading figures from the world’s collecting societies have come together to urge governments to address the growing ‘value gap’ in the digital space.

Music royalty organisations should come together to collaborate on improving quality and accuracy of song data, rather than compete against each other, PRS for Music chief executive Robert Ashcroft has said.

The Intellectual Property Office has stated that so-called ‘Kodi’ and other illegal IPTV set-top boxes and sticks should be avoided.

Calling all music industry professionals - a new trade mission for music businesses is to head to China.

The Managing Director and European President of peermusic, Nigel Elderton, will continue on in his role as Chairman of the Performing Right Society Limited for an additional three-year term.

PRS for Music and PPL have today announced a joint venture focused on public performance licensing across the UK.

The Institute of Contemporary Music Performance (ICMP) has joined forces with the Association of Independent Music (AIM) to provide a new Music Business and Entrepreneurship scholarship to an individual.

PRS for Music has published a summary of responses from its consultation on the terms of its Popular Music Concerts Tariff.

A guide to royalties generated by online services for members of PRS for Music.

We’re reaching out to get your input on our new licensing schemes designed specifically for the religious sector.

PRS for Music’s MAPS at five: Continuing the fight against digital music piracy

Terms and conditions that all PRS for Music website users must adhere to in order to use our services.

Pretenders co-founder and main songwriter Chrissie Hynde has extended her global publishing deal with Sony/ATV.

AGM follows PRS for Music’s recent financial results announcement for 2018

‘2017 will be a defining year for MCPS,’ Chris Butler, MCPS Chairman, has told M magazine.

Music licence allowing you to play music to the public as background music.

Production companies should end the ‘pay to play’ practice where they demand a publishing share of composers’ music in exchange for a sync, says BASCA's Vick Bain.

According to the latest edition of the annual WINTEL report, growth in the independent music sector outpaced the overall market last year.

Music licence for the import of audio products from outside of the European Economic Area.