Philosophy, death and entropy are just some of the knotty topics composer Kenneth Hesketh likes to wrestle with in his work. Here, he tells us more about his diverse interests and how they feed into his music...
Liverpool Philharmonic Orchestra chief executive officer Michael Eakin gives us the low down on the health of the city’s music scene and the classical institution’s projects…
Liverpool’s Clean Cut Kid are one of the buzziest acts being bandied around by tastemakers - we delve into their roots and the ‘raw sexiness’ that brought them together…
‘You’d walk on stage man and nothing matters. You’ve got no future - the past is beyond help. You’re on the stage to just play rock n roll’ - music legend Wilko Johnson on music, writing and how he beat death…
Renowned sonic explorer and contemporary classical composer Anna Meredith is ditching her studio to grapple with atoms and allotropes for a brand new residency. We learn what's in store...
North Londoner Oscar is enjoying a stellar year, having just released the neon pop of debut LP Cut and Paste to widespread love. We unravel his creative process behind the record…
We quiz disco and re-edit production whiz The Revenge for his top tips on making the most from your studio…
Stephen Wright first photographed The Smiths in 1984. A year later, he went on to take this iconic shot for the inside cover of their third studio album The Queen Is Dead. Thirty years on, he recalls how it happened…
'If I sat down to write a song, I wouldn’t be able to do it,' Jamie Isaac on how he got round to making his hazy, ballad-heavy debut LP...
Switching your account...
