PRS for Music, STIM and GEMA establish world's first integrated licensing and processing hub
The hub will offer state-of-the art licensing and processing services to support rightsholders and multi-territory digital music companies
PRS for Music, STIM and GEMA have signed completion documents announcing the launch of the world’s first fully integrated multi-territory music licensing and processing hub covering European territories. Designed to drive growth in the digital music market, the hub will assist both music rightsholders and digital service providers (DSPs) in maximising value by providing incomparable customer service through state-of-the-art technology. The hub, powered by the authoritative copyright database, ICE, and new processing, finance and business intelligence systems, will increase the speed, accuracy and efficiency of music matching and invoicing to ensure that rightsholders are paid more quickly and transparently than ever before while making it easier for music services to secure multi-territory licences.
The hub will offer a complete set of services for the market:
(i) State of the art data processing and matching
(ii) Authoritative copyright and audio-visual database
(iii) Business enhancing middle-office services - invoicing, legal and business intelligence;
(iv) Consolidated licensing of PRS for Music, GEMA and STIM’s multi-territory online rights and options for other rights holders to join the same core licence or to operate separate solutions, such as Solar and ARESA.
DSPs will obtain a single, consolidated multi-territory licence for Europe for PRS for Music, STIM and GEMA and other repertoires represented by the hub. They will receive one invoice produced from one data source, which will improve efficiency by removing the need to analyse and resolve conflicts between, multiple invoices issued on the basis of potentially conflicting copyright databases.
The increased efficiencies, speed and accuracy of the hub will flow directly to rightsholders, with a reduction in commission rates planned over time.
All DSPs operating on a multi-territory basis will be welcomed as licensing customers, and publishers and collection societies will be welcomed as customers for either the full suite of services including licensing, or a selection of back office services to fit their individual needs.
PRS for Music, STIM and GEMA related repertoire will be on-boarded to the powerful new processing system later this year and will include SPVs Solar and ARESA. The core licence will be available from 2016 onwards and will include the repertoires of the three societies. Solar and ARESA will continue to license their own repertoires independently.
PRS for Music, STIM and GEMA will continue to license single territory digital music services on a national basis.
The joint venture partners announced that Robert Ashcroft will, in addition to his role as Chief Executive of PRS for Music, oversee the establishment of the joint venture as the first CEO for the licensing and professional services arm of the joint venture.
GEMA becomes a shareholder of ICE alongside PRS for Music and STIM from today.
The music industry has been transformed by the evolution of the digital market and the birth of cross-border music services. Following the European Commission’s recommendation in 2005, rightsholders have been able to withdraw their online rights from collecting societies to license them on a pan-European basis through the collective management organisation of their choice. While this initiative - known as the ‘Option 3’ market – has enabled the development of a single European market in digital music services, it resulted initially in a fragmentation of repertoires and difficulties in back-office processing due to different collective management organisations working off separate copyright databases, which led to delays in payment, inaccurate invoices and disputed claims. The new hub reduces these problems by bringing repertoires together, enabling licensees to obtain one licence and ensuring that the works are recorded on a single, authoritative database.
We are immensely proud to announce the completion of PRS for Music, STIM and GEMA’s agreement to launch the first integrated music licensing and processing hub. This follows the European Commission’s competition clearance in June, following an exhaustive investigation of the European online music market. We had a vision five years ago to support the fragmented music market by developing a hub that would encourage the aggregation of music repertoires and offer state-of-the art rights management systems run from a single, authoritative database. Today we are bringing that vision to life with the launch of this brand new company. It’s a defining moment for the music industry.
The hub is unique – there is nothing else that offers access to a vast repertoire of European music and with the efficiency and power of new technology. We set about building a solution for the fragmented music market, and we have drawn from our vast experience over the years of collective music rights management to build a multi-territory licensing and processing hub that will serve rightsholders and their digital customers very well.
We have designed a transformative and very flexible service offering to fit the needs of different rightsholders and DSPs. The integrated systems have been built from the ground up to provide unparalleled speed, accuracy and economies of scale. This hub will scale up and handle huge data volumes. We’ve been in this business a long time and been servicing and shaping the digital market from the outset. This expertise has enabled us to develop an innovative and outstanding pan-European online music rights licensing and processing hub.
Notes to Editors
The benefits of the new joint venture include:
- Faster and more accurate invoicing and royalty payments at a time when the usage data from online services is growing from billions to trillions annually
- Simplified licensing negotiations for digital music services operating across Europe, reducing barriers for innovative new online services
- Trusted service from organisations representing significant European repertoire with years of combined experience of back office processing and music licensing
- Reduced processing costs based on unparalleled economies of scale
- Full transparency for all rightsholders, with confidence inspired by collective ownership
- A major contribution to online cultural diversity as the new hub will bring multi-territory licensing within reach of smaller repertoires
PRS for Music represents the rights of over 111,000 songwriters, composers and music publishers in the UK. As a membership organisation it ensures creators are paid whenever their music is played, performed or reproduced; championing the importance of copyright to protect and support the UK music industry.
STIM is a Swedish collective management organization for music creators and publishers. On their behalf, STIM administers and licenses performing and mechanical rights to music and lyrics. STIM is a non-profit organization representing 77, 000 songwriters, composers, text authors and music publishers worldwide.www.stim.se
GEMA represents in Germany the copyrights of more than 70,000 members (composers, text authors and music publishers), as well as over two million copyright holders from all over the world. It is one of the largest societies for authors of works of music in the world. www.gema.de
Tania Pearson, Corporate Communications Manager, PRS for Music
+44 (0)20 3741 4401
Karin Jihde, Communications Director, STIM
+46 (0)8 783 88 05
Nadine Remus, Communications Manager, GEMA
+49 (89) 48003-583
About PRS for Music
PRS for Music is one of the world’s leading music collective management organisations representing the rights of more than 165,000 talented songwriters, composers, and music publishers around the globe. Headquartered in the UK, it works diligently on behalf of its members to grow and protect the value of their rights. With a focus on innovation and integrity, PRS for Music is redefining the global standard for music royalties to ensure creators are paid whenever their musical compositions and songs are streamed, downloaded, broadcast, performed and played in public. In 2022, PRS for Music collected £964m and paid out £836.2m in royalties. prsformusic.com