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PRS for Music royalty services - overseas

Joss Stone

 

Where does the money come from?

Most countries around the world have an organisation like PRS for Music that collects and distributes music royalties. So that you can receive royalties for performances of your works abroad, we have set up a network of reciprocal agreements with overseas societies.

 

How are royalties calculated?

Like PRS for Music, each society has its own distribution rules, and usually distributes based on the amounts paid and the information received from music users.  Money for any of our members’ works included in the distribution is then passed on to us. PRS for Music will then deduct an admin charge before distributing the royalties.

 

List of countries covered and the PRS for Music admin rate for each


 

When will I get paid?

Royalties from overseas societies are received throughout the year.  PRS for Music distributes this money in its normal quarterly distributions, usually in the next appropriate distribution following receipt from the other society. Please note the following table is for guidance, and societies can sometimes remit money at any other times during the year.

 

 
Apr 2012
July 2012
Oct 2012
Dec 2012
USA (ASCAP)
Apr - June 11
Jul - Sep 11
Oct - Dec 11
Jan - Mar 12
USA (BMI)
Apr - June 11
Jul - Sep 11
Oct - Dec 11
Jan - Mar 12
Argentina
Jan - Apr 11
May - Aug 11
Sep - Dec 11
Jan - Apr 12
Australalia
Apr - Jun 11
Jul - Sep 11
Oct - Dec 11
Jan - Mar 12
Austria
Jan -Dec 10
Jan - Dec 11
Belgium
Jan - Dec 10
Jan - Jun 11
Brazil
Jan - June 11
Jul - Sep 11
Oct - Dec 11
Jan - Mar 11
Canada
Jan - Mar 11
Apr - Jun 11
Jul - Sep 11
Oct - Dec 11
Croatia
Jan - Dec 2010
Czech Republic
Jan - Jun 11
Jul - Dec 11
Jan - Jun 12
Denmark
Jan - Dec 10
Jan - Dec 11
Jan - Dec 11
Finland
Jan - Dec 11
France
Jan - Jun 11
Jul - Dec 11 (foreign)
Jul - Dec 11
Greece
Sep 10 - Feb 11
Mar - Aug 12
Germany
Jan - Dec 11
Holland
Jan - Dec 10
Hungary
Jan - Dec 10
Ireland (EIRE)
Jan - Jun 11
Jul - Dec 11
Jul - Dec 11
Jan - June 12
Israel
Jan - Jun 11
Jul - Dec 11
Jan - Mar 12
Italy
Jul - Dec 10
Jan - June 11
Jul - Dec 11
Japan
Apr - June 11
Jul - Sep 11
Oct - Dec 11
Jan - Mar 12
Mexico
Jan - June 11
Jul - Sep 11
Oct - Dec 11
Jan - Mar 12
New Zealand
Apr - Jun 11
Jul - Sep 11
Oct - Dec 11
Jan - Mar 12
Norway
Jan - Dec 10
Jan - Dec 11
Poland
Jan - Dec 10
 
Oct - Dec 11
Jan - Mar 12
Portugal
Jul - Dec 10
Jan - Jun 11
Jul - Dec 11
Romania
Oct 10 - Mar 11
Russia
Jan - Dec 10
South Africa
July 09 - June 10
Jul 10 - Jun 11
Spain
Jan - Sep 11
Oct -Dec 11 (L&O)
Jul - Dec 11
Jan - Mar 12
Sweden
Jan - Jun 11
Jan - Dec 11
Switzerland
Jan - Jun 11
Jan - Dec 11

 

This schedule prioritises the top 40 revenues [inc Commonwealth] where those Societies remit their royalties consistently. Unscheduled royalties will be included in the first available distribution.

We will use our best endeavours to honour the commitment to members set out in this plan.  However, there may be occasions where we cannot comply with this planned schedule which are beyond our control.  In such circumstances we will, where possible, communicate any change to the plan in appropriate literature.

In most cases, the performance periods refer to all performance sources although there are a few exceptions where the affiliated societies return (predominately) film sections a little later than the ones covering general and broadcasting. This also explains why there are some overlapping, or identical, performance period dates for the same territory.

 

Why might I not have been paid?

As is the case with PRS for Music, not all performances of a work can be logged and paid by another society, and there are many reasons why performances of works abroad may not have been paid:

  • The sale of a television series abroad, for example, does not guarantee that a broadcast will take place, or that the channel on which it is broadcast is included in a society’s distribution.  If it is, we are usually notified if a programme has been broadcast for which an affiliated society has no information.

  • Smaller, local radio and TV stations are less important, economically, to a society and so are usually sampled (eg: one day a week or one day a month) thus reducing the probability of being included in the distribution sample.

  • Most societies distribute royalties for music performed within an advertising commercial, but there are exceptions.  It is important with large advertising campaigns for members to obtain as much information as possible at the start of the campaign from the advertising agency. In some instances the name of the product may change from country to country and the soundtrack may be re-dubbed. 

What should I do if I know my music is being performed abroad and i haven't received payment?

If you haven't received payment from the foreign society in line with the payment schedule above, you can notify us of the performances that are known to have taken place.  The more specific this performance information is, the more likely accurate payment will follow.  Request Service.

 

Live Concert Service

For very large live concert events, PRS for Music can operate a special tailored Live Concert Service. The benefits of this service are that PRS for Music will endeavour to pay the royalties in an agreed timescale and to an agreed fixed administration cost. A number of conditions must be fulfilled in order to use this service. Please contact us for more information.

 

 
 
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