Thursday 23 March 2017
APRA AMCOS next to participate in ground-breaking PPL and PRS for Music data project
PPL and PRS for Music have piloted a first-of-its-kind initiative to link each other’s data sets, jointly creating a prototype search tool to improve identification of sound recordings and musical works and the links between them.
The prototype search tool was developed for demonstration and discussion purposes, and represents a significant step forward in the creation of a ‘backbone’ of links between PPL’s sound recordings and PRS for Music’s musical works, with over 2.5 million recordings already linked to over 1.2 million works and available to search.
The two membership-owned companies piloted this initiative in response to a growing data problem. The link between a sound recording and a constituent musical work is critical for effective and accurate remuneration of creators and publishers. Today, these links are created by multiple parties in multiple places, leading to duplication and a potential for error and conflict. As the volume of data and the number of data sources continue to increase, the need for a definitive solution to the problem grows; over the past year, PRS for Music has processed over 4 trillion music uses and on average, 35,000 new recordings are registered with PPL each week.
The ultimate aim is to establish and promote a set of consistent and authoritative links between recordings and works that can be gathered from and shared across multiple parties. Several international societies have already expressed their desire to learn more about the “work-in-progress” initiative, including APRA AMCOS in Australia, who have welcomed the move and confirmed their interest in participating. This three-way collaboration has the potential to link in excess of 18 million musical works with in excess of 10 million recordings.
Commenting on the initiative, Paul Dilorito, Director of Operations, PRS for Music said: “One of the biggest challenges we all face is how we create industry-wide access to authoritative data. Effective linking of works to recordings is the first step and this prototype has enabled us to deliver a successful proof of concept that we are delighted to have brought to fruition in partnership with PPL. Collaboration is key to the successful resolution of the data challenge across the industry, and as industry-leading authoritative sources of metadata we are both very well placed to facilitate a solution.”
Mark Douglas, Chief Technology Officer, PPL added: "For an initiative like this to have value to the industry, it has to be based on authoritative data about sound recordings and musical works. PPL invests significant effort and resources into managing its repertoire database and is rightly recognised as a world-leader, making. PPL a natural partner to work with PRS for Music. We are excited about extending beyond this pilot to draw in other CMOs and PROs to progress the initiative even further.”
Alan Balchin, Head of Business Systems & Development, APRA AMCOS in Australia said: "The need for an authoritative link between a work and its many recordings is a 'no brainer' from our perspective, to ensure rightsholders get acknowledged, recognised and paid in a timely fashion. We look forward to engaging with our colleagues in the UK on this exciting initiative as it develops."
While conceptually possible, the linked data set does not incorporate full ownership information for recordings or works. This will continue to be managed by each society, but the prototype search tool 'signposts' a user to the most authoritative available source of ownership information for each recording and work, which can be displayed directly from a society database when possible.
It is intended that the prototype search tool will act as a springboard for discussion with a wider set of recording, publishing and rightsholder organisations around the world. The end goal is to extend the sharing of consistent, authoritative data in order to benefit those who create, perform, and invest in music.
PPL is the music licensing company which works on behalf of record companies and performers to license recorded music played in public (at pubs, nightclubs, restaurants, shops, offices and many other business types) and broadcast on TV and radio across the UK. Our members include major record labels and independents as well as globally successful performers and session musicians, ranging from orchestral players to percussionists and singers. PPL also operates an international royalty collection service helping members to get paid when their music is played internationally.
About APRA AMCOS
APRA AMCOS is a key business partner to Australasian music creators. We have more than 90,000 members who are songwriters, composers and music publishers. We license organisations to play, perform, copy or record our members’ music, and we distribute the royalties to our members.
As a world-leading organisation invested in the future of music, APRA AMCOS enables music creators and customers to maximise the value music brings to business and life. We achieve this through a simple and effective licensing framework, and providing holistic industry support – from education, to live music, export, creators’ rights advocacy and recognition through our high profile awards and events program.
About PRS for Music
PRS for Music represents the rights of over 125,000 songwriters, composers and music publishers in the UK. As a membership organisation it ensures creators are paid whenever their music is played, performed or reproduced, championing the importance of copyright to protect and support the UK music industry. The UK has a proud tradition of creating wonderful music that is enjoyed the world over and PRS for Music has been supporting the creators of that music since 1914.
PRS for Music provides business and community groups with easy access to nearly 15m songs through its music licences. In an industry worth over £4.1bn, PRS for Music is uniquely placed to be a voice for music and music creators. Collecting £621.5m in 2016, PRS for Music is one of the world’s most efficient combined rights organisations. With over 100 representation agreements in place globally, PRS for Music's network represents over two million music creators.